“When I look at Alexandra Larsson Jacobson’s photographs I feel like I’ve been there before, not physically, but I have been in the mood that
the images convey. In meeting Alexandra’s images my senses are heightened and the reality of the photographs become like a silent movie.
The images are charged with a Nordic aesthetics where realism, painting and melancholy meet.
The border between fiction and reality chafes.The whole exhibition contains a friction. I read each individual photograph as documentary but
also containing a fictitious narrative. While Alexandra’s photographs are portraits, it’s not the photographed reality that confronts us when
we look at her pictures. It is we as viewers, with our memory bank and our perceptions that are co-creators of the images content.
Something that characterizes Alexandra’s work is an interest in the different roles that we choose or are forced to play.
By freezing different surroundings her images become as stages with props and backdrops, which opens up to investigate the human drama,
its facade and theatrical features. Alexandra’s photographs were taken in North Bend in the United States, a society characterized by the
TV-series Twin Peaks that was made there.” – Matilda Ekström, Curator and Artist

Lightless shadow

Lightless Shadow, 2013,
C-print, 60x60cm

 

Stories behind the mountain

Stories Behind the Mountain, 2013,
C-print, 60x60cm

Smoke Screen, 2013, C-print, 60x60cm

Smoke Screen, 2013,
C-print, 60x60cm

No Vacancy

No Vacancy, 2013,
C-print, 60x60cm

Waiting, 2013, C-print, 60x60cm

Waiting, 2013,
C-print, 60x60cm

The Wildcats II

The Wildcats II, 2013,
C-print, 60x60cm

The Wildcats I, 2013, C-print, 60x60cm

The Wildcats I, 2013,
C-print, 60x60cm

 

Cigarrvägen tretton. Stockholm. 2014

Cigarrvägen tretton. Stockholm. 2014

Cigarrvägen tretton. Stockholm. 2014

Cigarrvägen tretton. Stockholm. 2014